Bramley & Son
A two-van plumbing and heating firm that gets most of its work from emergency call-outs but makes most of its money from bathroom installs.
See the build →Our work · Interior Designers · Exeter
A two-person interior design studio in Exeter that designs whole rooms and whole houses across Devon: period homes, barn conversions and new-build extensions that need to feel lived in. Most enquiries come from Instagram, then stall on a website that looks like a template. The site has to feel like walking into one of their rooms, show finished projects properly and be clear about fees before anyone picks up the phone.

Interior design is bought on feeling first and fees second, so the page is built like a magazine feature that you walk through. The hero opens as a narrow slit of a sunlit dining room and widens to full bleed as you scroll, the way a door opens onto a room. Headlines rise out of masks line by line, in Libre Caslon Display, a high-contrast serif with the confidence of a print masthead, set against Epilogue for calm, readable body text. Projects are pinned and travel sideways, so each room gets the full width of the screen and a caption like a gallery label. The palette is taken from the photography rather than laid over it: bone walls, walnut, a muted olive and near-black ink. Fees are written out in plain pounds, because designers who hide them lose the enquiries that were already a good fit.
Palette
Typography
On the page
The hero photo opens from a slit to full bleed as you scroll, so the first thing a visitor does is step into a finished room rather than read about one.
Each project gets the whole width of the screen and a gallery-style caption with the brief, the house and the budget band, which is what a prospective client is actually comparing.
Design fees, per-room prices and the whole-house percentage are on the page, which filters out poor-fit enquiries and reassures the good ones before the first call.
Each stage says what lands on your table: a mood board, a measured plan, a sourcing schedule. People buy the deliverables, not the adjectives.
In browsers without scroll-driven animation the hero settles into a framed window and the projects become a swipeable row, so nothing looks broken.
A two-van plumbing and heating firm that gets most of its work from emergency call-outs but makes most of its money from bathroom installs.
See the build →A three-chair barbershop that currently runs entirely from a social profile, loses bookings to the phone going unanswered mid-cut, and cannot be found by anyone searching for a barber nearby.
See the build →A forty-cover neighbourhood restaurant whose menu currently lives in a PDF that nobody can read on a phone, and whose booking link is three taps deep in a navigation menu.
See the build →£299 setup, then £99 a month. Live in 3 working days. Tell us what your business does - we reply the same working day.
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